Servant Girl Annihilator: somehow not the title of a really shitty anime about a waif fighting grown men while wielding a giant cannon and flashing her panties every now and then.
On violence, on anime, and on violent anime
Most giant robot anime, and most anime in general, seem to be anti-war or anti-violence (barring the relentlessly capitalist shows like Mazinger-Z and Voltron which say nothing beyond “explosions are cool” and “buy our toys”). The shows that luxuriate in violence, like Black Lagoon, make clear that the characters are psychologically damaged in some way. The shounen fight series are either about making friends (like One Piece), are comedic (like Ranma 1/2), or have a stick up their ass and continually remind the viewer that the hero is only fighting reluctantly (like Bleach). I suppose the atomic bombings and the enforced postwar pacifism are ever present in the Japanese consciousness.
Though two series that glory in war and violence are the right wing wankathons Total Eclipse and High School of the Dead. One of the characters from the latter show even remarks, as he’s using a baseball bat to bust open a cash register, “You know, this is pretty awesome”. And he’s right, it would be goddamn sweet to be running wild in a zombie apocalypse with a Humvee full of guns and big-tittied girls in high school uniforms. Or being encased in a mechanical womb and using swords, cannons, and other phallic objects to unleash death and figurative semen on hordes of invading aliens.
Of course, there’s no such thing as zombies or alien invaders, which is to say that there are no faceless Others one can morally slaughter; thus, in anime, the depiction of violence simultaneously demands an apology for its use. But it seems that it takes a right-wing dickwad to not give a shit about such distinctions.
Tetsuo and Kaneda’s Excellent Adventure
Last weekend, I saw Akira for the first time in probably twenty years. It held up very well.
The film is essentially about Japan in the 1960s, complete with violent gangs, mass protests, and regular terrorist bombings. Despite that temporal specificity, it still feels timeless. This is impressive for a sci-fi film made in 1988, especially since a lot of cyberpunk from that era feels very dated. I think an American cyberpunk story from that time would probably be full of coded racial paranoia about the rise of Japan, or it would have embarrassing Orientalist stereotypes about honour or some shit. This movie, of course, avoids that.
Anyway, I’d forgotten that there are no heroes in Akira. Everyone is either an asshole, a fuckup, or both. The protagonists are violent bikers who gleefully engage in street duels that injure bystanders, while the climax involves a guy wanting revenge on his best friend. That best friend massacred hundreds of people and is about to kill an entire city, but as far as the participants are concerned their fight is about nothing more than their petty and personal grievances.
Plus the animation still looks incredible. A festering shithole has never looked this beautiful in cartoon form.
Overall, the movie was a worthwhile thing to revisit. I’m glad I saw it again.
Ships that sank
I don’t have a good track record in shipping, which in this context means the romantic pairing you favour in a given work of fiction. My tastes don’t seem to align with the majority, as this list of failed non-canonical ships should attest.
- Zutara (Avatar: The Last Airbender)
- Harry/Luna (Harry Potter)
- Haruto/Rukino (Valvrave the Liberator)
- Akihito/Mitsuki (Beyond the Boundary)
For comparison, Ships that Sailed:
- Ranma/Akane (Ranma 1/2)
- Edward/Winry (Full Metal Alchemist: Brotherhood)
I still think those failed ships were more narratively interesting than the ones that happened in canon. Ah well, such is life.
In the Darkness
I tried out a couple of episodes of Brynhildr in the Darkness. I thought the manga was okay so I hoped the anime adaptation would at least be on the same level. I can say that it is, but like most manga to anime adaptations, I prefer the version with the moving pictures. The creator also made Elfen Lied, if that means anything to you out there.
Briefly, the show is about an ordinary boy who’s fallen in with teenage girls with psychic powers on the run from the sinister organization that created them. Also, one of the girls may be the boy’s childhood friend who he thought had died years ago but who seems not to remember him.
You could probably guess most of the story beats from that summary, and you would probably be mostly right. Still, the show is unexpectedly subdued for a series containing psychic duels and time travel and teenagers in love triangles. Well, perhaps it’s not unexpected, since the manga is also not very flashy, but there’s a certain type of anime one might expect from the summary. You know what I mean: repeated vows to protect one’s friends, liberal use of the word "nakama" (comrade or close companion), endless battles spaced out over several episodes, heterosexual romance enacted through stubborn denials of its existence, constant flashes of tits and ass, and a theme song written and sung by an idol singer who drops English words into the lyrics to make everything sound cooler. You know, the usual.
Brynhildr isn’t that type of show. Well, it’s mostly not that type of show. It’s ostensibly aimed at boys, making it a shounen (boy) anime. But for a shounen anime, it treats things rather a bit seriously.
This is not necessarily a good thing, because I think the subject matter deserves a little razzmatazz in the presentation. Fantastic things deserve fantastic display. Perhaps not all the time, but at least some of the time. The animation, though, can be workmanlike. It’s not terrible and it tells the story like it’s supposed to, but it’s just kind of there. There deserves to be at least one or two sequences where I can gape at the marvels I’m witnessing, but so far I haven’t seen one yet.
Other criticisms apply. The comic parts don’t elicit much reaction beyond a polite chuckle. The male protagonist doesn’t have much of a personality beyond having a stick up his ass. The show doesn’t say anything beyond what the plot is saying. And is it perhaps a law in Japan that healthy romantic relationships cannot be depicted in anime targeted at boys?
Perhaps I sound like I hate this show, but I really don’t. It’s not a classic of our age, but what is? I do like the song from the opening sequence well enough.
Still, like its animation, the show is just kind of there. Somehow, I feel like something exceptional is just slightly out of reach, like the show is trying to be something and kind of has an idea of what that something is but isn’t quite sure how to get there. I’ll keep watching, since I have a rather high tolerance for imperfection, but this show is not something I can unreservedly recommend.
KISS discovers anime
Via Crunchyroll, it seems that Gene Simmons of the obscure indie band KISS has discovered anime. Specifically, he discovered LoveLive!, which seems to be about high school girls forming a pop group to save their school from dissolution. The particular screenshot which piqued Monsieur Simmons’ curiosity was from an episode where the characters dress up as a certain group of white-faced leather queens.
Of the anime I have nothing to say, as I’ve never seen it and I’m getting moe* vibes from the summary. I do find it hilarious that when Simmons asked Twitter where a screenshot of the anime was from, one smartass gave him the name of a pornographic direct to video series about underage male crossdressers.
We now return to your regularly scheduled program.
*Moe: slang term for a subgenre of anime and manga. I would define it as the fetishization of female helplessness, which is exactly as off-putting as it sounds.
The Story of High School
Photo by Danny Choo / CC BY-SA 2.0
I just started watching an anime series titled Beyond the Boundary. Yes, another one. This particular series is about a high school boy teaming up with his classmate to hunt down monsters. The animation is good, though the story’s a bit clichéd on the relationship front. In the end, I like it well enough as something to decompress with after a long day.
What strikes me, though, is the realization that there are a hell of a lot of anime series set in high school. Thinking about it some more, though, I have to admit that there are actually a lot of stories – anime and otherwise – set in high school.
The Japanese high school story is distinct from the American high school story, but both versions largely elide what takes up the majority of an actual high school student’s life: academics. We are shown scenes from before class, after class, whispered conversations during class, and interruptions during homework and study after school, but simply going from what is depicted we could not appreciate that these scenes are tiny particles of a student’s personal life snatched from the all-devouring temporal maw of the modern educational system. The state desires citizens and it will keep children in a totalizing and regulated environment until something more compliant comes out. Or until something not quite fitting into the system jumps out, but that’s mostly okay too, since modern society also needs poor people to exploit.
But we move away from the central topic. Like Don Quixote’s romantic tales of chivalry, which never mention knights-errant packing clean shirts or budgeting their travelling expenses, the high school story takes it for granted that the audience understands that the dull banalities of everyday life are being handled by the characters offscreen while the interesting stuff happens front and centre.
Inherently, then, the high school story is a fantasy story, for what is modern life but a collection of dull banalities, and what is fiction but an escape from those banalities? Here is what matters, says the high school story. Here, romance blossoms and ends, friends come and tearfully go, rivals clash and compete, adventure strikes, life is lived. Here is something better than reality – here is truth.
But this truth can only be found in fiction. Who has time to investigate a mystery or sabotage a date or spy on a committee meeting or do any one of the thousand clichés found in fiction? Who has time when ever more minutes of ever more days are increasingly scheduled and regulated and penciled in? And when one has free time, one must be preparing for the period when one does not. Get enough sleep, study, wash your school and work clothes, prepare your lunch for the next day, shop for groceries to make lunch with, and so on everyday over and over.
This explains the prevalence of the high school story. High school is essentially the last period in a middle class person’s life where they’re old enough to have grown-up wishes but young enough to have free time. Not as much as in previous generations, but certainly more then they would as young adults. And unlike undergrads, should things get too bad for a high school student then they still have the psychological safety blanket of running to mom and dad for help.
We fantasize about what we do not have, and what we fantasize about is doing anything else besides what we’re supposed to. Our secret yearnings are for some rose-coloured and nonexistent past when there were enough rules to protect us but not enough to constrict us.
Most of us don’t want to do what we’re currently doing. Why else does procrastination take place, and why else should so many Youtube videos be watched in the middle of the work day? People who lived outside of the strictures and constraints of the state did not all live happy and fulfilling lives, but they certainly spent a lot less time doing things they loathed. “If you can’t take the heat, get out of the kitchen” is a guiding principle for them, not an insult. If I’m hungry I eat, if I’m sleepy I go to bed, and if I’m unhappy doing something I find something else to do.
From the problem, we come to the solution. But what solution? What could a better world look like? I think it would involve less regulation, less constriction, less hierarchy. In other worlds, less of the state and more anarchism. But whatever this better world looks like, I think we can all agree that it won’t look like the one we have right now.
A closing thought to ponder on – if alien archaeologists were to find the remains of extinct humanity millions of years hence, they might erect this epitaph: “Here lies the human race. They spent most of their time grinning and bearing it.”
Hits and Misses
In the name of efficiency, I thought I might just do a roundup of anime that I’ve recently watched and my reactions thereof towards them. I know, I seem to be talking about anime a lot lately. I’ll have to write more about communism or something, otherwise this will turn into just another anime blog, though perhaps that ship has already sailed.
Stuff I liked:
- Guin Saga is basically Conan the Barbarian without the misogyny or the gratuitous sex, which isn’t exactly a criticism. The setting is essentially a fantasy version of the Silk Road. A leopard-headed warrior with amnesia becomes the protector of two royal children on the run from their kingdom’s conquerors. This series shows that the author has extensively studied the dynastic politics of medieval Europe and all the backstabbing feels like the Byzantine Empire with magic thrown in. It’s based on a series of novels, and the author clearly knows quite a bit about European-style dynastic politics (you know, marriage alliances and whatnot).
- Furthermore, politics in anime tends to be weirdly bloodless, by which I mean the causes and motives seem too insubstantial to deserve all the violence the characters are enacting. Not so for this series, the backstabbing and struggle for power feels more real. I think the opening gives you a good idea of what the series feels like. I like how you can’t tell who the bad guys are, although there aren’t really evil people in the series per se — it’s all just politics and who’s on what side. Don’t ask me why the titles are backwards in the video, though.
- Now, as for The Twelve Kingdoms, it’s basically The Chronicles of Narnia mixed with Crouching Tiger, Hidden Dragon: a Japanese schoolgirl ends up in some weird kung fu fantasy version of China. It’s based on a series of novels as well, I think half of which have been translated into English. The fan trailer below does a fairly good job of showing the epic scope of the series, though the music is from Avatar: The Last Airbender. Granted, the main character is kind of whiny and homesick for the first three episodes, which is probably realistic for a proper Japanese schoolgirl from the late 80s who’s been dropped into fairyland, but it can get annoying. What’s amusing is that one of her companions is a genre-savvy fantasy fan who insists that she’s the Chosen One when all signs clearly point to the protagonist. Never fear, it doesn’t get metafictional and no 4th wall breaking occurs, it’s there so that fantasy girl’s unwarranted eagerness can serve as a foil to the heroine’s reluctance.
- Shiki is basically Salem’s Lot set in a Japanese village, with a clear homage to Stephen King in one scene (the bedroom window scene if you were wondering). The series again is based on a novel and it’s also about vampires overrunning a small town. Unlike Salem’s Lot the series also shows things from the vampires’ perspective. King never showed his vampires hiding in terror from bloodthirsty lynch mobs or begging for their lives from their former neighbours as they’re dragged into the sunlight. There’s one particular scene where a vampiric little girl is being chased by a burly bearded vampire hunter shouting for her death which is just uncomfortable to watch. Although let me just say that the character designs are rather, err, unique in aesthetic. But the story is aces. And the book series was written by the same author of The Twelve Kingdoms.
- Black Lagoon is a series about a smuggling crew trying to keep their company afloat in the South China Sea. Which makes it sound like Firefly on a boat but there are a lot more violent sociopaths in this show. It’s violent and exciting and cool, but it makes no excuses for the sort of people who’d actually live in the world of its setting.
Stuff that fell flat for me:
- Legend of the Legendary Heroes. Jesus, why did I even try? Google it for yourself if you must, but don’t make me think about it again.
- Bakumatsu Kikansetsu Irohanihoheto. It’s a show for history nerds, but the type of history nerds who obsess about names and dates. Watching it was like this: “On this day this historical figure did this thing in this place, but little did he know that so and so was actually in the same city just two days earlier doing the exact opposite thing. As for this other historical figure, he–” and at that point I stopped watching. I didn’t like having to do homework to watch a TV show. The music’s pretty good, though.
- Noein. The first episode is a collection of insipid clichés about an affectless male protagonist who listlessly enacts grotesque violence while cocooned inside a giant war machine and is inexplicably romantically intertwined with a girl too afraid to admit to her feelings for him. If you look at the edges closely, you’ll see the parts where the cookie cutter’s edge is starting to dull.
Fighting evil by moonlight
Did you ever watch Sailor Moon and wondered what the series would have been like if the main character had been a communist? Neither did I, and in fact I’ve never watched an episode, but certain enterprising sorts have answered the question no one was asking.
I bring you Red Moon:
Reaching Naru’s mother’s jewellery store in record time, Sailor Moon charged inside to see her best friend being strangled by something that looked like a reject from the late, late horror movie show. All around the grey skinned woman customers lay drained of their energy, unconscious on the floor.
“Halt! The people of this city require that energy to be able to work, and until the means of production are in the hands of the workers, society shall never be equal! I am Sailor Moon, and in the name of the working class, I shall punish you!”
It is accomplished
I have finally watched all non-filler episodes of Bleach. I’ve been watching this show for most of the 21st century, so realize that I feel like I’ve hit some kind of personal milestone. A dumb and inconsequential milestone, but still one nevertheless. Like many other anime series in the genre of boys’ action (shounen, for the initiated), it dragged on for far too long, not least because the anime’s production of episodes quickly outpaced the manga’s story. Yes, the anime was based on a comic book series that wasn’t finished yet.
The ending didn’t feel essential. The final bit is basically a season-long epilogue, with the real ending being the one two seasons ago where the actual central villain was defeated.
But, it’s done now, so kudos to Kubo Tite for joining the ranks of creators who have successfully brought a long-running series to a close. I’m just glad I can finally cross this entry from my lifetime list of unfinished stories. Onwards to the next one.