I don’t know why but I’m watching Martian Successor Nadesico and Outlaw Star. I guess maybe it’s because both series came out back when you could have more than 13 episodes in a season and could actually spend time with the characters, but not like in the 80s when you’d have 300 episodes where nothing at all happened in each one. I like Outlaw Star more because it’s better at the cliffhanger ending which makes me want to keep watching, but both series are pleasantly unchallenging to watch.
Well well, seems like Netflix is making an anime about Dragon’s Dogma. As might be gathered from my previous writings on the subject (and on the copious number of painstakingly composed screenshots that I’ve uploaded – seriously, you know how hard it was to reach some of those ledges?), I really liked the game.
Having said that, I liked the game as a game, not as a story. The plot itself was quite thin and not really that compelling (though the backstory was kind of interesting). To accurately reflect my own experience of the game, the show had better have extended sequences of the main character climbing up a cyclops to stab it in the crotch. Also it would need to have 20 minutes of catching rabbits and throwing them off a cliff, plus like 50 hours of trying on different outfits.
Still, the Castlevania show on Netflix turned out pretty good and it’s not like that franchise had an especially good story behind it. Of course, Warren Ellis was the one who wrote that adaptation and we still don’t know who Dragon’s Dogma will get. Fingers crossed the anime will be as fun as the game, though.
We need more Japanese cartoons about post-structuralism. Hop to it, anime studios.
Say, Record of Grancrest War is actually a pretty solid fantasy show. The promotional material made it look like yet another crappy harem show where the main character shits himself every time an under-aged girl tries to give him a handjob but it’s not that at all. I can’t remember the last time an anime had two people who liked each other get together without any idiotic drama.
My biggest criticism is that it moves through the material a bit too quickly. Okay, there’s a world at war, aristocrats who drain magical powers from the rivals they defeat, vampires and werewolves and plucky allies and exotic locations and massive battles where actual characters die. Can we maybe have some time to dwell on each thing before we move on?
I assume this is because the anime is based on a light novel series. The studio probably was trying to squeeze as much as possible in.
But the animation is nice, the main characters are interesting, and it moves along decently. It’s a competently entertaining anime and it just recently ended so you get a complete story with no cliffhangers whose endings depend on the studio securing funding for a second season. I recommend it for your fantasy action fix.
I’ve been watching Record of Lodoss War today and am halfway through. It’s obviously based on a tabletop RPG campaign since the main characters, despite having differing agendas, keep sticking together for no damned reason. I mean, why did the elf even join them in the first place? The protagonists also keep getting into dangerous situations at convenient intervals and their antagonist seemingly does nothing else besides obsess over the heroes and send low level minions to attack them, despite obviously having the power to crush them in one blow.
I guess it’s neat to see all the fantasy stuff that you have to imagine when you’re playing Dungeons & Dragons, but this show kind of just goes from encounter to encounter without a main plot that holds it together well enough. It’s okay if you’re doing afternoon drinking on a long weekend (Happy Victoria Day!) but it’s not really something to watch for a compelling story or anything serious at all.
Because I am.
I know I said so three years ago, but this is my feeble defence against charges of laziness during my blogging hiatus.
See, I was doing other stuff: I tweeted! I edited! I edited audio! I even blogged! I did not just play video games until I put my health at risk!
Also I did kickboxing and took up indoor rock climbing and whatnot. But yeah, I did podcasting also. Check it out.
A Little Sister’s All You Need reminds me a fair bit of Oreimo (a.k.a. My Little Sister Can’t Be This Cute) in that watching it reveals unexpected depths that are not captured by a mere plot synopsis or trailer. The bare facts are as follows: this comedy tells the story of a 20 year old light novel writer with a strong and irrational sexual fetish for little sister characters. He – thank god – does not have a little sister, but a teenage step-brother, a very small handful of friends, and an editor who rides his ass about meeting his deadlines.
Unlike Oreimo, the show does not even offer an incoherent defense of the protagonist’s turn-on. Every single character tells him that his fetish is disgusting. Despite that, they still associate with him anyway. I suppose he’s decent enough when he’s not loudly bemoaning not having a little sister to have sex with, plus of his three friends, one is a fellow light novelist who’s envious of his talent, another is also a light novelist with the same publisher who is an extreme fan of his work (enough that she’s very frank about wanting to sleep with him), and the last is a former university classmate who probably has a buried thing for him from days gone by. Which is to say that there are plausible reasons for this group of people to be hanging out and this setting is not an aggressively stupid harem anime setup.
Anyway, it’s hard to articulate what this show is and even harder to say what about it appeals to me. I had assumed it was just the latest nadir the anime industry had sunk to (a show about a guy who writes creepy stories about having incestuous sex with younger sisters), but there’s something there beyond the occasional chuckle the show gets out of me. There’s an undercurrent of unrequited longing – not necessarily sexual – that runs through the relationships between this circle of friends. Each of them wants something that they can’t have, and I’m hopeful that the show can continue playing out the trial of Tantalus in the context of Japanese twentysomethings going through life feeling that there’s just one thing missing and everything would be better if they just had what was lacking.
This is what I hope the show will be about, but I don’t actually know if that’s what the show will be focusing on as there were only two episodes up when I watched last night. In fact, I’m still not even sure what the show’s really about. What does it want to say, beyond that it wants to show what happens in the lives of this group of people? I have no idea.
So this is not a ringing endorsement of the show, but a qualified FYI. I think there could be something there and I hope I’ll be proven right.
It is strange days when we see Japanese schoolchildren running for their lives in simulation of a nuclear attack from North Korea. The picture in the linked article reminds me of nothing more than Cold War evacuation drills in the US.
Selfishly, as an anime fan I wonder how all this uncertainty is going to affect the anime industry. I never thought the threat of nuclear conflict would figure into my estimation of when we could expect season 3 of Attack on Titan, but here we are.
It’s jarring to think of these things when thinking of anime, which, let’s face it, is mostly just escapist fantasy, like most mass entertainments are. I’m reminded that Jane Austen joked about being tempted to include a treatise on Napoleon in Pride and Prejudice just to counteract how light and frothy her novel was. I’m also reminded of what Slavoj Zizek said about the use of the Christian calendar, which uses the birth of Christ to mark the flow of events: he called it the irruption of the infinite into the historical. Perhaps we might call the imposition of nuclear geopolitics into the logic of anime production as the irruption of the political into the inconsequential.
Of course, this statement is both facetious and incorrect, for anime is already political. It is produced in a web of politics -government grants to aid in translating content for export, industry-wide discrimination to discourage women, a regime of austerity that encourages overwork of animators, and a capitalist ideology that demands crass commercialism – and also expresses statements of political positions – women are always emotional, Chinese and foreign characters can never beat Japanese protagonists, and Koreans don’t exist.
The surprise we feel when placing anime in the same headspace as nuclear diplomacy is a surprise that has been manufactured. Being apolitical is a political stance, and depoliticization is a political action. To divide the world and say these things are of politics and these things are not is an act of power (Michel Foucault called it power/knowledge, which is the power of defining what knowledge is).
The personal may be political, but it’s inconvenient for the powerful to let common citizen remember this fact. Politics is not merely debating tax rates and talking at town halls, which is to say it’s not only for politicians and activists, but keeping it an activity of a small elite certainly makes it easier for those elites to set the agenda. Political apathy serves those who already have power.
And so we come to anime and its role in the politics of apathy. Crudely speaking, anime is just another cog in the machinery of distraction that keeps the masses quiescent in that old Roman strategy of panem et circenses (i.e., bread and circuses). Focus on your pop culture, say the masters of the world, and leave the important things to us. This was, of course, the old politics, before the divisions in democracy were laid so starkly bare, but it was a deal that many thought worthwhile, and many still do.
But even behind this wall of willful ignorance, sometimes the world of politics would intrude, as in the current case of North Korea and its nuclear arsenal threatening the home of anime. We find that we cannot leave politics because we are already doing politics. We are reminded that we live in a political world. The personal is political, but now we see that the reverse is also true, that the political is also personal. In a liberal democracy, to not resist is to consent. Therefore if we wish not to die and to continue watching anime, we must act.
Action begins in knowledge, so I ask first that you learn what is happening around you. What circumstances led to the nuclear standoff threatening our beloved hobby? What power moved us to this impasse?
After answering these questions for yourself, then ask yourself this one: am I okay with things continuing the way they are?
If your answer is anything besides “yes”, then continue asking questions, including the big one – what should I do? The answer is simple: do anything that you can. Speech is action, so even something as minimal as talking online is still a step in the right direction.
My fellow otaku, ignorance is only a temporary condition. I challenge you to look up from your TV and computer screens. Remember that you are not only a consumer. You are also a citizen.
I was not expecting the Saekano season 2 finale to have an elevator music version of Lovely Day by Bill Withers playing in the background, but there it was.
And for comparison:
I watch a lot of anime. I mention this because a lot of anime series revolve around the teenage experience (which mostly means the high school experience). I had been unfairly characterizing this deficiency as a malignancy especial to anime, but I had not considered that I’m not as catholic in my viewing of English-language TV shows.
Which is to say that I’ve been avoiding a lot of teen-oriented shows from the Anglosphere. However, The 100 has mucho recommendations as being an engaging piece of science fiction.
However, it’s also an adaptation of a Young Adult series of novels, which means that most of the time the protagonists are either dumb, horny, or both. How could I have criticized anime for having insipid romantic drama when stories like this exist on this side of the Pacific? Stories where I feel like strangling someone whenever a teenager starts talking?
I’m not sure how much more of this I can take. I’ve seen online joking references to the home network, CW, and its formula of crafting shows around beautiful people getting into relationship drama with each other, but I’d never really experienced the full brunt of such a perfect package of cliches and nonsensical actions.
Hoo boy. Perhaps it gets better. I hope so, as I’m not sure I might survive if this show actually gets worse.