Tag: anime

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Da Durarara

Damn you, Mass Effect trilogy, why were you on sale on the PSN store? I’m doing nothing but playing Mass Effect 2 as soon as I get home and up to when I fall asleep with the controller in my hands. I finished the first game years ago and I quite liked it, but not enough to deal again with some of the wonky aspects that set my teeth on edge the first time around (i.e., driving the MAKO, dealing with the inventory system, the endless elevator rides, and so forth).

So to refresh my memory on the plot, I read the fanfic Of Sheep and Battle Chicken. I would have been pleased if it were the official novelization of the game, instead of the rather bad spin-off novels that were actually published. It explores and expands upon stuff from the game, and where necessary it invents things wholesale. The story also isn’t shy about changing things drastically from the game’s plot to make the narrative flow better, which I quite liked. It’s by no means perfect, since small but persistent annoyances such as mixing up “its” and “it’s” and slipping between past and present tense happen quite a bit, but they weren’t enough to stop me. The fic’s writer really poured a lot of creative juice into this endeavour, as evidenced by the reams of text about this fictional world’s setting, akin to Tolkien’s volumes full of hobbit apocrypha.

Anyway, that’s what’s been up with me lately.

Also, guess what? Hello Kitty is promoting Durarara. Ain’t that adorable?

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How Crunchyroll works

So, Crunchyroll: you pay the subscription fee and you get to watch the shows in the catalogue that are licensed in your region, right? Simple enough. But how exactly is your money divvied up among the different studios whose work Crunchyroll streams?

Apparently, your subscription fee is allocated according to the anime you watch. Quoth Crunchyroll’s CEO, “[T]he money is split proportionately among those shows depending on which ones you watch the most”.

What this means for me, personally, is that I’ve paid money to support right wing military porn, a show about Lovecraftian monsters if they were teenage lesbians, and one where antisocial shut-ins prove their superiority as leaders and as human beings.

Sorry, everyone. I’m the reason the industry sucks.

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Stop the presses!

My Teen Romantic Comedy SNAFU is getting a second season.

MY TEEN ROMANTIC COMEDY SNAFU IS GETTING A SECOND SEASON.

In other anime news, apparently Russia invaded the Ukraine. Did anyone else hear about this? Do you know what anime this is from? I’m guessing Axis Powers Hetalia but I’m not a hundred percent on that.

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Absolutely no panty shots

Via Crunchyroll: Anime director promises that his new anime will not feature gratuitous shots of the female characters’ underwear.

Seriously, it’s a sign of what the industry is like that this is something that has to be specified. I mean, what the hell? So it’s exceptional when cheesecake isn’t in an anime? Jeez.

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Cool summer

The weather this summer has been unseasonably cool in Hogtown, much like there hasn’t been anything that hot in this season of anime. And yeah, I’ve been watching Aldnoah Zero every Saturday morning, but normally I’d have more than one series occupying my viewing.

My malaise has been somewhat allayed, though, since I just saw that a new episode of Monogatari has come out. I think I’ll let the episodes pile up a bit before plowing through them, but I’d forgotten how much I liked this show. Yay for capitalism’s demand for constant production.

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Japan circa 2013

Currently catching up with a whole lot of blogs, so I just read this retrospective on 2013 in Japan.

It may surprise some to hear that anime is a fringe interest in the country, but the blog mentions that Attack on Titan was – surprisingly enough – a mainstream hit. In fact, it’s mentioned that the sappiness and sexism of modern anime, which turns off many in the international audience, also does its bit in alienating the domestic audience

There are further hints that the impenetrable wall of the otaku cultural industry is cracking. Other subcultures seem to be disappearing and it may be that the Japanese Internet is soon to be taken over by normal people, instead of dominated by that misogynistic right wing cesspool known as 2ch (a message board which is essentially the 4chan of Japan – in fact, 4chan was modelled directly off 2chan).

Of course, who knows what the future will bring? Still, you heard it here first, gentle readers. Unless you also read Néojaponisme, then you heard it here second. But yeah, otaku – an endangered species? Stay tuned.

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Sword Story

I just finished watching Katanagatari. It’s about a pair of samurai with an odd couple relationship on a quest to collect twelve powerful swords from their equally powerful owners.

On the surface, one might think it sounds like Pokémon if Ash killed his opponents after taking their Pokémon in battle. However, the show avoids repetition in all sorts of clever ways. I mean, the third episode is about getting the sword from a shelter for battered women, while the episode after that is about a group of bad guys on a doomed mission to kidnap the protagonist’s sister (reminiscent of that issue of The Invisibles focusing on one of the jackbooted stormtroopers killed by the hero in an earlier story).

Based on the premise, one might also expect the show to be mostly focused on violence, but in reality perhaps 90 percent of each episode is taken up with nothing besides talking. Death and killing do take place, but the characters are so stylized that the violence is not gory. Perhaps the stylized aesthetics might put some people off, but if everything looked exactingly realistic then this show would be as bloody as a Sonny Chiba movie. If I had to summarize Katanagatari in one word, that word would be “surprising”.

The show surprises in small ways and large. In fact, everything is just slightly off. The background characters are straight from a samurai epic, while the ones with speaking lines mostly dress like cosplayers. Even the government of Japan is wrong. Everything about the show announces that it shouldn’t be taken as-is. There’s even an unexpected sci-fi twist and an episode examining the morality of revenge and violence before everything ends the way samurai stories always do – in an orgy of blood.

It should perhaps not be too surprising that the original light novel series the show was adapted from was written by Nisio Isin, who also wrote Bakemonogatari and the rest of that series. Of course, there’s an episode where the sentence “Don’t touch my woman” is uttered unironically, but there’s also a duel that resembles something from Samurai Jack so strongly that I have to wonder if it’s an homage or a result of parallel evolution of ideas. Everything in this show just looks incredible.

Anyway, apparently I like Nisio Isin’s stuff, which keeps attracting the right kind of people who end up making the exact type of anime that would appeal to me. I’m going to have to dig up the rest of his work.

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Fear of a blank planet

I recently saw the series premieres of Terror in Resonance and Aldnoah Zero.

It’s hard to say much about Terror in Resonance since its first episode contained nothing but opaque hints at a story that could equally conceal either complexity or shallow-minded literalness. There are these two teenaged boys, they’re mysterious, they forcibly recruit a classmate being bullied. Props to Funimation for the crispness of the HD streaming. That’s it, that’s the episode.

Oh yeah, they blow up the Tokyo Metropolitan Government Building, which I mostly know from Digimon Tamers. Despite being a show with terrorist protagonists, the anime is very careful to show that no people were hurt in the attack. I suppose it’s so we can still root for the two heroes.

I dunno, terrorism is inherently a political act, the show better not end up spouting the rote cliches about justice and protecting your comrades that end up getting repeated over and over in anime. Though if the comrades aren’t nakama but are instead tovarishch and the two protagonists are actually part of some Baader-Meinhof communist uprising? That would be a pleasantly surprising twist.

And thinking about it further, it’s been a while since I’ve been wowed by an anime’s opening episode. They seem to be mostly slow burns. I think the last anime that I absolutely wanted to rave about after just one episode was Bakemonogatari.

Aldnoah Zero, however, at least manages to get to the fireworks factory. You see, human colonists of Mars, armed with superior alien technology, invade the Earth and bring the planet to its knees. Meanwhile, a plucky band of high school students use giant robots to defend their tiny part of the world. The anime is basically War of the Worlds with human invaders. In a later episode there’s even a boat full of refugees and a Martian war machine that Earth’s defenders have to hold off. I could almost hear Richard Burton narrating the last battle of HMS Thunder Child.

More deliciously, the tagline for the show is "Let justice be done, though the heavens fall". The self-serious connotations of using such a phrase – the Latin original is most widely misattributed as being quoted in the legal decision that found slavery insupportable in England – clashes so much with the subject matter that I immediately started laughing my ass off. Sweet crap, this looks like an awesome show to watch while drunk. This anime thinks it’s profound! Aldnoah Zero, your hubris is inspiring.

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Lens flare: the anime

Me watching the Original Video Animation TO Movie:

“There are a lot of lens flares in this anime.”

Five minutes later: “There really are a lot of lens flares.”

Five minutes more: “Good god, every light source has a lens flare. Did J.J. Abrams direct this?”