Tag: film

Posted on

Who You Gonna Call?

I just saw the 2021 Oklahoma Ghostbusters (a.k.a. Ghostbusters: Afterlife). It’s about the grandkids of one of the original Ghostbusters who move to the farm their gramps owned. They never met old Egon Spengler, but he happened to die right when they were getting evicted from their New York apartment, so off the family goes to live in flyover country. As far as they know, he was just a crazy old geezer, but they quickly learn there was an apocalyptic reason a hunter of the supernatural moved to the middle of nowhere.

This movie is like other modern sequels in that it retreads the ground that its forebear covered. But somehow I didn’t find the nostalgia annoying, likely because instead of just making constant references to a movie from the 80s, it was directly trying to be a movie from the 80s – in its directing choices, in the design of its sets and props, and even in its CGI that mimics the look of the special effects from the first Ghostbusters. In fact the only real indication that it’s set in the 21st century – besides the fact that the characters say that the year is 2021 – is that smartphones and Youtube exist.

Anyway, the deliberate 80s throwback is obviously why the movie cast Wolf Gunblood or whoever the hell that kid is from Stranger Things. One character that did bug me was the kid who was named Podcast (ugh). Reminds me of Juno trying too hard to be with it (for example, the “honest to blog” line). Also Podcast’s actor was noticeably worse than everyone else. I know he’s just a kid but it kind of invites comparison when he’s constantly around another kid who’s a better actor than him.

Also, I didn’t realize the original cast from the first movie cameos, or as many of them that are still around (Ramis is dead, Moranis retired). Dan Aykroyd’s Canadian accent really comes out in the one long conversation he’s in.

Anyway, watching this made me think of the first movie and how in retrospect it’s clearly from when Reagan was president. I mean, small business owners save the world while the government’s representatives are either useless or actively harmful. I don’t think anyone involved in the movie was a Reaganite but it just goes to show how you can’t escape the times you live in.

As for the Ghostbusters of our current age, it’s decently entertaining. I’d say put it on if you’ve got a lot of laundry to fold.

Posted on

Snowball Earth

The Wandering Earth is an entertaining disaster movie. It’s got the stupid twists and sappy drama endemic to the genre. I mean, the sun is going to engulf the Earth so the world’s governments build giant engines move the planet to a different star? A wonderfully dumb premise. It’s even got a rebellious jerk who has to step up to help save the world.

I did especially like how consciously international the movie was. We had people speaking Bahasa Indonesian and Filipino while Sulawesi was where half the major action takes place. Also it’s hilarious how the one white guy was the comic relief. Well, there’s another white guy who’s more heroic but he’s there to supply the tragic death to motivate the protagonist to keep fighting. I think I liked it more than Armageddon. Two goddamn thumbs up!

Posted on

Farewell to Wakanda

I watched Black Panther: Wakanda Forever and returned disappointed. I thought it was fine as a comic book romp but a much lesser movie than the original due entirely to not being as directly political. It has a vague something about resisting colonialism and imperialism, but it only gestures at the idea a bit and the actual central conflict is between one made-up country and another made-up country fighting over a made-up natural resource.

There’s a scene in the beginning of the movie where Wakandan soldiers fight French mercenaries trying to steal vibranium, then Wakanda captures these mercs and marches them to the UN to expose the hypocrisy of the UN Security Council classifying Wakandan hoarding of vibranium as a threat to world peace. That’s what the movie should have been about.

The conflict over vibranium was the natural consequence of what happened in the first movie and it would have been logical that it be the subject of the sequel, which is why it’s massively disappointing that it went where it did instead. We could have had metaphors about rejecting the Central African franc or throwing out Canadian mining companies but instead we got a movie about a flying Mexican guy fighting a superpowered black chick.

I didn’t hate the movie, I’m a dork for comic book shit and I actually did dig the whiz bang whale war shit, but we’ve got lots of comic book movies and zero blockbusters about pan-Africanism (besides the first Black Panther, of course). The first movie made me think, “Hey, Marvel finally learned how to overtly put politics into their movies” but its sequel makes me think, “Oh, it was just a one-off.”

Posted on

The Living Vampire

I saw Morbius. It’s actually not as bad as people say. I think the main issue is that audiences are approaching it as a superhero movie when it’s actually horror. I mean, a scientist accidentally invents vampires after trying to cure his rare blood disease, that’s a solid horror setup. And the parts where the protagonist goes nuts with his vampire powers are greatly entertaining, just tearing throats open and grabbing people from above and whatnot.

But I don’t blame people who expect a superhero movie because the movie itself mixes superhero stuff in, to its weakness. Yeah, okay, the protagonist is horrified by his monstrous transformation and tortured by the guilt of the lives he’s taken, that’s perfectly fine horror movie stuff. But why is he fighting a random counterfeiting ring he stumbled across? The movie is only 1 hour and 44 minutes long but there were scenes that still didn’t need to be there. I really wish the movie just unabashedly went full horror and gave up any superhero trappings. For example it had several Dracula references, but instead of only being cute little Easter eggs, I would have preferred that it really cranked up the parallels to the classic vampire story. Or just make it about a dumb smart guy who inadvertently unleashed vampires on the world. Mad scientist + vampires, what’s to hate?

Anyway, it was an okay movie, but I can see a much better movie hiding in there, and I wish they’d made that one instead.

Posted on

The Dark Knight gets on TikTok

The Batman is good. Like damn, those 3 hours flew by. It’s nice that we skip going through Batman’s origin one more time, and it’s certainly novel that the first villain we get to in a Batman reboot is The Riddler, but it works in this movie.

Politically, the movie kind of covers the same territory as in The Dark Knight Rises since it’s about gross inequality and popular reaction to it, but it handles the issue a lot better than the earlier film since it actually has an idea of what it wants to say on the issue. Bane’s live action introduction had a confused and ambivalent reaction to the Occupy Wall Street protests that were ongoing when it was made. However, the world that created The Batman has had over a decade to think over the Occupy movement’s ideas, as well as a global pandemic and a summer of BLM protests. In fact, I would characterize this particular reboot as a post-BLM ACAB version of the Batverse, inasmuch as it can be in a fictional setting where the protagonist’s main problem with cops isn’t that they’re violent but that they’re not directing their brutality toward the right people (i.e., criminals).

The pundit Anand Giridharadas has a quip about billionaires and how they whitewash the terrible reputations they earned while amassing their wealth by giving back some scraps from their fortunes in the form of charity: “Batman is what all these plutocrats do. You cause problems by day, in the way you run your company, and then you put on a suit at night and pretend you are the solution.”

The movie is essentially that quote presented in dramatic form. The problems of Gotham are caused by Bruce Wayne’s family, by their peers, and by the people who enforce their rule – cops, lawyers, mobsters, and so on. Bruce Wayne, ignorant of the larger context, tries to fix things with a child’s understanding of the situation by beating up poor people who’ve turned to crime. It’s not even a band-aid solution, since the worst that a band-aid can do is be ineffective, whereas in the movie, Batman’s example inspires other people to fix their own problems with violence. Of course, socioeconomic inequality isn’t a problem you can punch into submission, and it’s striking how one of the takeaways from this superhero movie is that almost everything heroic that we watch the protagonist do is completely useless and ineffective.

But the movie can only go so far in this critique. The superhero story is rooted in private actors using violence to impose order on a chaotic society. It’s a worldview conducive to being “tough on crime” and unswerving support for the police. Fundamentally, a superhero movie is pro-cop. Which is why, after a supervillain-caused natural disaster, Batman ends up letting go of his original mission of cowing the people of Gotham into submission and instead helps in relief efforts with the US military.

In the end, Catwoman asks Batman to run away with her, but he refuses and instead chooses to stay and help Gotham. She notes that his mission will never end and she ends up walking away from the disaster of trying to save a city that’s actively trying to commit suicide. Batman’s decision is presented as a noble sacrifice, of placing duty over love, but ironically, Catwoman’s proposal that she and Batman spend their lives robbing hedge fund plutocrats probably would have done more to address Gotham’s fundamental problems than Batman’s idea of punching street thugs and the occasional crooked cop.

Anyway, it’s nice when a superhero movie gives you something to think about besides the fight scenes.

Posted on

Enter the Matrix

I finally saw Matrix Resurrections. It’s a lot better than sequel #2 and 3, which I know isn’t saying much. It’s because it’s actually about something. While the first Matrix was about capitalist exploitation, alienation, trans identity, and escaping Plato’s Cave, Reloaded and Revolutions were about fighting killer robots with kung fu and machine guns (except those movies wouldn’t admit that they were shallower than they thought).

However, the thing that Resurrections is about is suffocating nostalgia for a time when the audience was 20 years younger and didn’t have as much grey hair and wrinkles. But it doesn’t examine this idea in any meaningful way and something like 20 percent of the movie is watching clips from the older Matrix films. It reminds me a lot of Trainspotting 2 in that it’s an unnecessary sequel about old people terminally obsessed with their youths.

Yes, I know this movie was forced on Lana Wachowski. That doesn’t mean I have to like it. But I don’t even hate it. I think Resurrections is okay. The fight scenes feel perfunctory and I never went “wow” like I did in the first movie, but I’ve seen worse on a Saturday afternoon.

However, now I’m curious how the studio-mandated sequel without Lana Wachowski would have turned out. I know that studio oligarchs are terrified of losing money and would probably have made a mediocre failure like the sequel to Pacific Rim, but there’s a non-zero chance something really dumb could have been produced. What if Warner Brothers just gave in to every filthy lust they had and created something of the purest, crassest commercialism, with the first Matrix only slightly updated for modern audiences? What if Neo teamed up with Spider-Man to fight Mark Zuckerberg, and as a sop to philosophy fans they have Slavoj Zizek in the lower right corner of the screen providing a running commentary on the action? Because I wouldn’t watch that, but I’d laugh my ass off at the headlines, so it would have at least been a worthwhile commercial endeavour.

Posted on

Kill or be killed

 I saw the Shane Black movie The Predator. It was a competently made movie that never rose above being mediocre. It can’t even dream of being as good as Predator 2, let alone the first movie.

I’m going to spoil the story because the movie isn’t good enough for anyone to care about being spoiled, but stop reading if this matters to you anyway.

So, in the movies the Predators are alien trophy hunters bagging human kills, right? And in this film, they’re stepping up their hunting trips because climate change will render Earth unlivable, so they’re taking the chance to harvest valuable human spines before the last of their cherished prey dies out.

One Predator wants to help humanity so it escapes to our planet with lifesaving technology to give us. It’s hunted by the other aliens as a traitor, hapless American soldiers get caught in the the middle, there’s lots of pro-military propaganda, a big shootout, and all the other cliches are as you would expect. So, in the denouement our heroes open the thingy the alien traitor was going to give us and what do they find? A high-tech cyber suit built for killing Predators.

So that was it? That’s what the Predator died to give humanity? It thought what our species needed the most in the face of mass extinction from anthropogenic climate change was a shitload of guns?

I mean, Jesus Christ but how many people does one of the Predators kill when they come by? A few dozen? Maybe a hundred? Is that even enough for insurance companies to adjust their rates to compensate for the increased mortality rates? I had thought we were going to get like cold fusion or something like that, but nope, the Predator solution to climate change was shooting it a lot.

Anyway, that’s it, that’s my main takeaway from the movie.

Posted on

Lord of the Rings: The Extended Edition Extended

Oh man, someone edited The Fellowship of the Ring so that every time Sam takes a step toward Mordor, he remarks that it’s the farthest from home he’s ever been. The edit is 9 hours and 18 minutes long. Again, this is only the first movie, and for the first 37:39 minutes it’s exactly what you’ve seen before.

But then we reach the scene where Sam leaves the Shire at 37:39 and the whole thing just takes off. It’s so stupid but I almost hurt myself laughing at how it took almost 6 minutes for Sam to take like 4 steps because at every step he pointed out that it’s the furthest he’s ever been from home.

Helpful Youtube commenter Mr. Wallet posted the highlights:

I finished watching the whole thing at 1x speed, so I want to share some of my favorite timestamps for people who don’t want to sit through the entire meme:

As others have noted, the meme starts at 37:39

58:11 and 59:32 Sam is asked questions and can’t stay on topic

1:03:40 Sam is about to be attacked with a scythe and stops to contemplate his distance from home

1:51:55 Sam interrupts a rescue attempt

2:55:15 Sam did want to see the Elves, more than anything, it’s just… This is it.

3:10:30 The entire Council of Elrond scene goes uninterrupted, and then 1 minute after that timestamp Samwise just shouts HEH and busts out of hiding to tell Frodo that this is the farthest he’s ever been

3:15:32 is the start of over an hour of nonstop repeats of the meme. If you get from the start of this video to about 4:30:00 then you will be able make it through the whole thing. I mention it because after 40 minutes of nonstop Sam talking about taking one more step punctuated by half-seconds of blaring music, there’s finally a break at 3:55:14 but it only lasts 10 seconds and then the moment a sliver of Sam’s head comes into frame, he goes right back to it for 20 minutes. If you actually sit through all that misery, it’s a funny moment.

5:19:09 Gimli starts having an emotional breakdown and Sam interrupts to tell Frodo that This Is It

5:32:10 Sam urgently has to tell a dying Frodo that This Is It

6:13:40 the balrog is introduced

6:38:34 Sam is fine with being thrown by Aragorn to escape certain death but first real quick he needs to tell Frodo something

7:14:25 Everyone is in shock over what happens with the balrog (spoiler, don’t watch if that’s a problem) then Sam eventually decides to make it about himself

7:48:37 the fellowship is told to come because someone is waiting and Sam doesn’t care at all that someone is waiting

8:07:15 Frodo sees a vision of the Shire burning, Sam is being marched in chains but the orcs permit him to stop and tell real-Frodo how far he is going to be from home

8:33:40 – 8:48:04 the cathartic climax of the film (probably another spoiler) is mostly ruined by the meme. In particular good moments are 8:40:05, 8:41:50, and 8:42:45

EDIT: Forgot one… 9:10:30 a fitting end to a fitting meme

Posted on

Seeing like a State

Somewhat surprised that one of the themes of Terminator: Dark Fate is that all cops are bastards, but here we are. There are absolutely no good police in the movie’s world – at best they’re just violent thugs, and at worst they’re being used by a murderous inhuman intelligence. Speaking of which, the movie implies that we are already ruled by a murderous inhuman intelligence, we just call it the state. Surveillance everywhere, violent agents enforcing brutal rule, machines of spying and death flying through the skies watching and killing with impunity.

The movie actually had something to say, which is one of the reasons it’s way better than the last couple of Terminator movies. I think it’s not as good as the first and second movies in the franchise, but it’s head and shoulders above the movies between T2 and this one. By the way, it just ignores everything that happened in those in-between movies, but since the central premise of the franchise revolves around time travel I think we can forgive this arrant retconning.

I felt the movie started to drag once the action climax kicked off. It reminds me of most Marvel superhero movies – the part where stuff blows up at the end is there because it’s supposed to be there. I didn’t expect the movie to end in an emotional argument full of psychological drama between all parties but I did want to care whether the protagonists would get their way.

But I keep watching Marvel movies anyway since I’m a sucker for dork shit. It’s the same for this movie. I think overall it’s entertaining and a decent time at the cinema.

Posted on

AZN represent

Always Be My Maybe stars Ali Wong as a celebrity chef who goes back to San Francisco to open a restaurant and hooks up with her asshole ex/childhood friend Randall Park.

Movies starring stand-up comedians can be completely terrible – what do they know about acting or writing a narrative? – but Ali Wong used to write for Fresh Off the Boat so she knows something about funny stories. Wikipedia indicates she majored in Asian American Studies, which also explains why her observations on race can be rather incisive. The movie was also directed by Nahnatchka Khan, who I will always and forever associate with Don’t Trust the B—- in Apartment 23 (this is a good thing by the way).

Anyway, I actually did laugh several times while watching this movie. In a more formulaic romcom, the story would be about one or both childhood friends being with partners unsuitable for them and the climax would be them finally admitting their feelings for each other, but this one explains why the original breakup when they were younger might have actually been better for our female protagonist until the male partner could get over his shit. Also there was an unexpected celebrity cameo that I’m totally on board for.

So, bottom line: I liked this movie.