Category: Media

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Tetsuo and Kaneda’s Excellent Adventure

Last weekend, I saw Akira for the first time in probably twenty years. It held up very well.

The film is essentially about Japan in the 1960s, complete with violent gangs, mass protests, and regular terrorist bombings. Despite that temporal specificity, it still feels timeless. This is impressive for a sci-fi film made in 1988, especially since a lot of cyberpunk from that era feels very dated. I think an American cyberpunk story from that time would probably be full of coded racial paranoia about the rise of Japan, or it would have embarrassing Orientalist stereotypes about honour or some shit. This movie, of course, avoids that.

Anyway, I’d forgotten that there are no heroes in Akira. Everyone is either an asshole, a fuckup, or both. The protagonists are violent bikers who gleefully engage in street duels that injure bystanders, while the climax involves a guy wanting revenge on his best friend. That best friend massacred hundreds of people and is about to kill an entire city, but as far as the participants are concerned their fight is about nothing more than their petty and personal grievances.

Plus the animation still looks incredible. A festering shithole has never looked this beautiful in cartoon form.

Overall, the movie was a worthwhile thing to revisit. I’m glad I saw it again.

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Ships that sank

I don’t have a good track record in shipping, which in this context means the romantic pairing you favour in a given work of fiction. My tastes don’t seem to align with the majority, as this list of failed non-canonical ships should attest.

  • Zutara (Avatar: The Last Airbender)
  • Harry/Luna (Harry Potter)
  • Haruto/Rukino (Valvrave the Liberator)
  • Akihito/Mitsuki (Beyond the Boundary)

For comparison, Ships that Sailed:

  • Ranma/Akane (Ranma 1/2)
  • Edward/Winry (Full Metal Alchemist: Brotherhood)

I still think those failed ships were more narratively interesting than the ones that happened in canon. Ah well, such is life.

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In the Darkness

I tried out a couple of episodes of Brynhildr in the Darkness. I thought the manga was okay so I hoped the anime adaptation would at least be on the same level. I can say that it is, but like most manga to anime adaptations, I prefer the version with the moving pictures. The creator also made Elfen Lied, if that means anything to you out there. 

Briefly, the show is about an ordinary boy who’s fallen in with teenage girls with psychic powers on the run from the sinister organization that created them. Also, one of the girls may be the boy’s childhood friend who he thought had died years ago but who seems not to remember him.

You could probably guess most of the story beats from that summary, and you would probably be mostly right. Still, the show is unexpectedly subdued for a series containing psychic duels and time travel and teenagers in love triangles. Well, perhaps it’s not unexpected, since the manga is also not very flashy, but there’s a certain type of anime one might expect from the summary. You know what I mean: repeated vows to protect one’s friends, liberal use of the word "nakama" (comrade or close companion), endless battles spaced out over several episodes, heterosexual romance enacted through stubborn denials of its existence, constant flashes of tits and ass, and a theme song written and sung by an idol singer who drops English words into the lyrics to make everything sound cooler. You know, the usual.

Brynhildr isn’t that type of show. Well, it’s mostly not that type of show. It’s ostensibly aimed at boys, making it a shounen (boy) anime. But for a shounen anime, it treats things rather a bit seriously.

This is not necessarily a good thing, because I think the subject matter deserves a little razzmatazz in the presentation. Fantastic things deserve fantastic display. Perhaps not all the time, but at least some of the time. The animation, though, can be workmanlike. It’s not terrible and it tells the story like it’s supposed to, but it’s just kind of there. There deserves to be at least one or two sequences where I can gape at the marvels I’m witnessing, but so far I haven’t seen one yet.

Other criticisms apply. The comic parts don’t elicit much reaction beyond a polite chuckle. The male protagonist doesn’t have much of a personality beyond having a stick up his ass. The show doesn’t say anything beyond what the plot is saying. And is it perhaps a law in Japan that healthy romantic relationships cannot be depicted in anime targeted at boys?

Perhaps I sound like I hate this show, but I really don’t. It’s not a classic of our age, but what is? I do like the song from the opening sequence well enough.

Still, like its animation, the show is just kind of there. Somehow, I feel like something exceptional is just slightly out of reach, like the show is trying to be something and kind of has an idea of what that something is but isn’t quite sure how to get there. I’ll keep watching, since I have a rather high tolerance for imperfection, but this show is not something I can unreservedly recommend.

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Hits and Misses

In the name of efficiency, I thought I might just do a roundup of anime that I’ve recently watched and my reactions thereof towards them. I know, I seem to be talking about anime a lot lately. I’ll have to write more about communism or something, otherwise this will turn into just another anime blog, though perhaps that ship has already sailed.

Stuff I liked:

  • Guin Saga is basically Conan the Barbarian without the misogyny or the gratuitous sex, which isn’t exactly a criticism. The setting is essentially a fantasy version of the Silk Road. A leopard-headed warrior with amnesia becomes the protector of two royal children on the run from their kingdom’s conquerors. This series shows that the author has extensively studied the dynastic politics of medieval Europe and all the backstabbing feels like the Byzantine Empire with magic thrown in. It’s based on a series of novels, and the author clearly knows quite a bit about European-style dynastic politics (you know, marriage alliances and whatnot).
    • Furthermore, politics in anime tends to be weirdly bloodless, by which I mean the causes and motives seem too insubstantial to deserve all the violence the characters are enacting. Not so for this series, the backstabbing and struggle for power feels more real. I think the opening gives you a good idea of what the series feels like. I like how you can’t tell who the bad guys are, although there aren’t really evil people in the series per se — it’s all just politics and who’s on what side. Don’t ask me why the titles are backwards in the video, though.
  • Now, as for The Twelve Kingdoms, it’s basically The Chronicles of Narnia mixed with Crouching Tiger, Hidden Dragon: a Japanese schoolgirl ends up in some weird kung fu fantasy version of China. It’s based on a series of novels as well, I think half of which have been translated into English. The fan trailer below does a fairly good job of showing the epic scope of the series, though the music is from Avatar: The Last Airbender. Granted, the main character is kind of whiny and homesick for the first three episodes, which is probably realistic for a proper Japanese schoolgirl from the late 80s who’s been dropped into fairyland, but it can get annoying. What’s amusing is that one of her companions is a genre-savvy fantasy fan who insists that she’s the Chosen One when all signs clearly point to the protagonist. Never fear, it doesn’t get metafictional and no 4th wall breaking occurs, it’s there so that fantasy girl’s unwarranted eagerness can serve as a foil to the heroine’s reluctance.
  • Shiki is basically Salem’s Lot set in a Japanese village, with a clear homage to Stephen King in one scene (the bedroom window scene if you were wondering). The series again is based on a novel and it’s also about vampires overrunning a small town. Unlike Salem’s Lot the series also shows things from the vampires’ perspective. King never showed his vampires hiding in terror from bloodthirsty lynch mobs or begging for their lives from their former neighbours as they’re dragged into the sunlight. There’s one particular scene where a vampiric little girl is being chased by a burly bearded vampire hunter shouting for her death which is just uncomfortable to watch. Although let me just say that the character designs are rather, err, unique in aesthetic. But the story is aces. And the book series was written by the same author of The Twelve Kingdoms.
  • Black Lagoon is a series about a smuggling crew trying to keep their company afloat in the South China Sea. Which makes it sound like Firefly on a boat but there are a lot more violent sociopaths in this show. It’s violent and exciting and cool, but it makes no excuses for the sort of people who’d actually live in the world of its setting.

Stuff that fell flat for me:

  1. Legend of the Legendary Heroes. Jesus, why did I even try? Google it for yourself if you must, but don’t make me think about it again.
  2. Bakumatsu Kikansetsu Irohanihoheto. It’s a show for history nerds, but the type of history nerds who obsess about names and dates. Watching it was like this: “On this day this historical figure did this thing in this place, but little did he know that so and so was actually in the same city just two days earlier doing the exact opposite thing. As for this other historical figure, he–” and at that point I stopped watching. I didn’t like having to do homework to watch a TV show. The music’s pretty good, though.
  3. Noein. The first episode is a collection of insipid clichés about an affectless male protagonist who listlessly enacts grotesque violence while cocooned inside a giant war machine and is inexplicably romantically intertwined with a girl too afraid to admit to her feelings for him. If you look at the edges closely, you’ll see the parts where the cookie cutter’s edge is starting to dull.
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War of the Worlds’ Races

An observation: War of the Worlds is the prototypical alien invasion story.  It was meant to be an impassioned screed again colonialism and a metaphorical examination of the consequences of white imperialism.

Later tales from the genre took up the original story’s premise – aliens invading the Earth – while ignoring its message that oppressing the Other is bad. In fact, later alien invasion stories proclaimed the exact opposite message: oppressing the Other is good, because they’re out to destroy us with their Otherness.

The alien invasion genre became an expression of fear of immigration and racial others. More, it became a cri de coeur of imperialist terror at losing hegemonic dominance, fear of no longer being top dog. You never see alien invasion movies where the aliens invade Mombasa, it’s always London and New York and Washington.

So now the alien invasion genre has ended up in the opposite location it started from: alien invasion was a metaphor for white people conquering non-white countries, while nowadays it’s become a metaphor for non-white people immigrating to majority-white countries. What a funny old world we live in.

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It is accomplished

I have finally watched all non-filler episodes of Bleach. I’ve been watching this show for most of the 21st century, so realize that I feel like I’ve hit some kind of personal milestone. A dumb and inconsequential milestone, but still one nevertheless. Like many other anime series in the genre of boys’ action (shounen, for the initiated), it dragged on for far too long, not least because the anime’s production of episodes quickly outpaced the manga’s story. Yes, the anime was based on a comic book series that wasn’t finished yet.

The ending didn’t feel essential. The final bit is basically a season-long epilogue, with the real ending being the one two seasons ago where the actual central villain was defeated.

But, it’s done now, so kudos to Kubo Tite for joining the ranks of creators who have successfully brought a long-running series to a close. I’m just glad I can finally cross this entry from my lifetime list of unfinished stories. Onwards to the next one.

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The Hudsucker Negro

I saw The Hudsucker Proxy over the weekend. It’s a pretty fun film and I rather liked how it was an homage to old time movies. What was jarring was the literal Magic Negro, which felt peculiarly of its time (that time being 1994). Portraying a sympathetic black character would have probably gotten the director arrested as a Bolshevik agitator in the era the film is paying an homage to, whereas crypto-racism is at least more subtle in the 21st century. Therefore this character could only have existed at a time when white people know they shouldn’t be racist but are ignorant enough that their attempts at equal representation still come across as condescending.

The 90’s: Politically Correct enough to be ashamed of racism yet ignorant enough to perpetuate it anyway.

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Princess Powerful

Another day, another anime. I don’t mean to make this blog entirely about what Japanese cartoons I’ve been watching but I just keep discovering neat series out there.

This time the show is called Princess Jellyfish, about the friendship between a female geek and a fabulous transvestite university student. The thing that I particularly like about this series is that it’s one of the few comedies I know of that doesn’t make jokes at the expense of the transgender character – you know, of the “ha ha she-male” type. In fact, the show presents the straight cisgender characters as being the maladjusted freaks because, well, they are.

I’ve only seen two episodes but I’m optimistic that the show won’t eventually have some conservative “change your appearance to become a worthwhile person” moral. You know, like in Beauty and the Beast. The ad copy is right, it really is a sweet story about learning to look beyond the surface. And the message doesn’t feel hackneyed and programmatic like it could easily have been.

Also, I like the opening. For the benefit of all and sundry, RehAdventures of Youtube provides a breakdown of each movie being referenced:

0:20 – Sex in the City
0:34 – Star Wars, with a dash of Gundam Wing at 0:44
0:48 – Singing [sic] in the Rain
0:55 – Mary Poppins
1:00 – Emperor of the North
1:03 – God of Gamblers
1:08 – James Bond
1:12 – Game of Death or for the newbies Kill Bill
1:18 – The Graduate
1:27 – Close Encounters of the Third Kind

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Harem Manga Maker

Crunchyroll, a streaming service for anime and live action Japanese drama, is now tentatively branching out into manga. The selection is very small right now and I don’t see anything there I must absolutely read. Plus, I already took out a 12 month anime membership anyway.

Curiously, though, Crunchyroll is also offering for sale a program called ComiPo!, which claims to be something for non-artists to make their own manga with. You create 3D models of your own characters by picking their bodies, hair styles, clothes, and so on, then placing them picking the environment and the camera angle for each panel in your manga. Of course, you’ll have to supply your own story.

All this is well and good, but apparently most of the stock characters are female and most of the settings are in school, meaning the program is mostly for creating high school stories. I’d like to think there might be some good female-oriented stories being made with this system but I rather suspect there are a lot more insipid male fantasy harem series. You know, where the male protagonist has the personality of a formless blob who girls find inexplicably attractive.

But hey, plop down $50 and you can be making your own brand of shitty manga right in your own home.

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Angels in the outhouse

So, I watched all thirteen episodes of Panty & Stocking with Garterbelt. It’s rather interesting to see anime taking on the aesthetics of the 90s era Ren & Stimpy/Rocko’s Modern Life weird gross out genre of cartoons, and marrying it with the adult (read: mostly puerile) themes of the grownup cartoons that showed up after. And obviously it resembles Powerpuff Girls the most in its art style.

The show is about a couple of foul-mouthed angels kicked out of heaven for their uncouth manner and licentious ways and having to earn their way back to the top by hunting down rampaging ghosts. From the description, one might think that it’s mostly an action series, and yes there are impressive sequences in that vein, but quite a few episodes are about the angels being too lazy to do their jobs. One episode is nothing but the angels watching TV and doing absolutely nothing of consequence.

The series is funny in a crass and lowest-common denominator sort of way, though the bodily function humour turns me off just like it did on Ren & Stimpy back in the day. There’s not much analysis I care to do on it, though I will note that this is the only anime from Gainax studio that I’ve seen. Admitting that means I’m not very hip since I gather Gainax is rather big with a lot of anime geeks.

Some choice quotes, taken out of context:

“You’d better not get fat again, otherwise you’ll need to be good at blowjobs.”
“Fuck, you’re a ghost? I can’t believe I let you finger me.”
”You both need to stop spending money on bullshit. You’re angels, not hipsters.”