Tag Archives: recommended

Black Series

Holy shit you guys, Série noire on Netflix is hilarious. It’s a Quebec show about two halfwit screenwriters whose incredibly dumb legal thriller is somehow renewed for a second season. Their show has high ratings but is intensely hated by the critics, mostly because the writers only know of the world through Hollywood:

“You should get a legal expert. It looks like you just started writing after reading The Firm.”

“We didn’t read The Firm, we watched The Firm. The Firm is a movie!”

So they decide that they need to do research and they start committing crimes to add realism to their writing.

Anyway, I really like how well the two protagonists portray idiots. One of them even gets replaced by a failed novelist and we think, okay, she teaches literature at a college so she’s probably smarter, then it turns out her novel clearly steals ideas from Toni Morrison’s Beloved. Bottom line, the show starts gloriously stupid and stays that way.

I unfortunately can’t find a trailer with English subtitles. It’s too bad because there’s this one hilarious scene from the fictional TV show which was submitted when the writers won an award for best product placement in a TV show, about serial killers arguing about which brand of garbage bag to suffocate a victim with: “No, that’s a cheap generic brand, it’s just going to rip and tear!”

By the bye, the title is a French expression for a series of disasters.

Korea in space

I started reading Yoon Ha Lee’s Ninefox Gambit because Ann Leckie said she liked it. So far, I like it too.

This Korean sci-fi novel most resembles for me a non-moronic version of Warhammer 40,000. You see, in the novel’s far-flung future, the repressive Hexarchate controls its vast territory with weaponized astrology. Through total obedience to the social order, devotion to a strict calendar of feast days, and ritual torture of enemies, the state can manipulate the very laws of physics. (And yes, this sounds like North Korea in a space opera setting, though the calendrical sacrifices as a means of controlling the cosmos also reminds me of the Mayans).

But like all empires, this one is obsessed with maintaining its power. Observing alternate calendars directly weakens the state’s power, and thus a vast military machine is tasked with destroying heretics. One cog in this assemblage is Kel Cheris: a captain, a footsoldier, and a literal brainwashed fanatic.

Having evinced an aptitude for heretical mathematics, she is charged with capturing the Fortress of Captured Needles lest the hexarchate itself fall. Her primary weapon is an undead military genius and traitor who she probably shouldn’t trust.

In the backmatter copy Stephen Baxter describes the book as Starship Troopers meets Apocalypse Now, which so far in my reading seems accurate. He doesn’t mention that the book is also compulsively readable. There are some wonderfully inventive ideas all over the story, and even the names of the weapons are deliciously odd: the catastrophe gun, the neglect cannon, the abrogation sieve, the calendrical sword.

I hope I won’t stay up too late tonight reading this book, but it’s a very real possibility. If you want to try out a brand new talent from an underrepresented corner of the sci-fi world, I suggest picking this up.

Attack of the giant pile of bullshit

Remember that part in Ghostbusters where they’re spewing soft-headed pseudoscientific hogswaddle as they battle the fantastical and the supernatural? Imagine that in book form and you get the novel MM9.

The book is set in a world where giant monsters – kaiju – have always existed in human history. Big Ben and London Bridge, for instance, were destroyed by a sea monster in 1952 while the US Army fought giant ants during the Cold War (and yes, his kaiju are the ones from monster movies like Them!). The author is clearly a geek of the first order and gleefully mashes together various science fiction works in service of the story, as he explains in an interview.

Being regular creatures that are part of the order of the world, kaiju are treated as natural disasters. The study of these monsters falls under the discipline of meteorology, and it is the men and women of the Monsterological Measures Department who devise counter-measures for the Japanese Self-Defense Forces in their fight against the kaiju. I rather like how the book makes clear that the anti-kaiju agency are merely public servants, who are eternally worried about getting receipts for their taxi rides and have to deal with dumb questions from the media while they’re desperately in the middle of the latest attack. It’s kind of like if Pacific Rim were about the scientists instead of the robot jocks.

MM9 is nothing but pure and excellent bullshit. It’s quite short and a breeze to read, so I most heartily recommend it.

Happy 2017, have a giant robot anime

You know, Netflix needs to do a better job advertising their shows, since the image that pops up when you pause on Kuromukuro is a rather generic one of teenagers standing around in their school uniforms. I’d rather spend an afternoon drifting in and out of a nap as Cosmos plays on screen than watch something that looks so very uninspired.

But in the opening ten seconds of the show you see two giant robots fencing with laser swords while surrounded by an army of dead samurai. Much later you get a loudmouthed fighter pilot guy shooting a hole in an enemy giant robot then stabbing the hole with a massive knife while shouting crude sexual come-ons at his dead foe.

So far I’ve only seen this first episode, but I’m thinking this’ll be some relaxing giant robot military porn like Muv-Luv Alternative: Total Eclipse or Schwarzesmarken. The biggest difference is that this show is missing the large jiggly tits. In other words, it’s exactly what I like in my military porn (and I believe I’ve mentioned before how much I like giant robots when they’re done right). I think I shall be binge watching this show.

Samurai Jack and Jill

Recently I saw A Boy and His Samurai, a Japanese movie about a samurai who inadvertently time travels to the present day. Don’t ask how, you didn’t really care how the thingy worked in Big or Freaky Friday, did you? In fact, structurally it’s a lot like Big, with the magic at the start, the funny stuff early on followed by the serious adult stuff, then the magic again to wrap things up.

So it’s a comedy-drama – the samurai gets taken in by a single mother and swears fealty to her as her feudal retainer, then as time goes on he becomes an up and coming pastry chef. There are the expected fish out of water jokes, but the movie’s also a thoughtful examination of class and gender in the 21st century, particularly how modern society is still structured around the nuclear family while steadily breaking down the systems that produce nuclear families. The film’s not a didactic women’s studies manifesto, but it does illustrate exactly how tough it is to be a single parent and how gender and class expectations tie into that difficulty, all wrapped up with a sweet story about a boy finding a surrogate father.

Philadelphia, a.k.a. my sister can’t be this beloved

You know, I just realized I never got around to posting my review of Oreimo. Well, enjoy.

The titular little sister Kirino leaning forward in the foreground while the older brother Kyousuke glares at her behind her back with his arms crossed

My biggest surprise in recent (read: 2014) anime discoveries has been Oreimo, a.k.a. My Little Sister Can’t Be This Cute. I had written it off as borderline wank material but my brother kept insisting I should try it out. And yes, there’s fanservice, but not the sexual kind (okay, there’s a gratuitous panty shot in the second episode).

The series is about a high school guy who discovers that his otherwise perfect overachiever of a sister is addicted to pornographic computer games, specifically the subgenre of incest porn where the male protagonists nail their younger sisters. He understandably freaks the fuck out, especially since his sister hates his guts. Then he discovers that his little sister is into the porn for its emotional content, which is to say that she’s enamoured of the idea of having a little sister of her own.

The series is one of the few anime that shows being into geek shit is actually not a mainstream thing in Japan. The fanservice, then, is in the show’s depiction of the little sister as the ideal otaku: well-adjusted, popular, and good-looking. Actually I can see that she’s more like the otaku’s ideal girlfriend, like an independent invention of that male nerd fantasy – the girl geek. And there’s even an episode where the sister defends her hobby to her judgmental father.

The fantasy of the series, the yearning that informs every episode, is the desire for acceptance. Well, there’s also the fantasy of a girl who appreciates the misunderstood target audience, which I will acknowledge as not a fantasy I care about. But once you can see what the series was going for then perhaps you might be able to appreciate the story for itself.

As always, your mileage may vary.

PS

I have since been informed that the anime takes a jarringly squicky turn near the end. Heads up for all you watchers out there. For now, I’ll stand by my recommendation, as being 80% good is still an A in most grading schemes.