Tag Archives: Japan

The Commissar’s in Town

I kind of liked Total Eclipse, once I’d gotten over the gratuitous fanservice boobery, so of course I’m checking out the prequel series Schwarzesmarken. There’s definitely something worthwhile in this alternate history story of East Germany being invaded by aliens in the 1980s. I did also like Deutschland 83, after all.

However, let me call your attention to the introductory graphic explaining the Cold War to the viewers:

Cold War map of the world showing Japan, the Philippines, and South Korea as not being in the US camp

If you’ll notice, Japan, South Korea, and the Philippines are very clearly not in the American sphere of influence on that map. Is this a stealth resurrection of the Greater East Asia Co-Prosperity Sphere?

Yes, it is. In this alternate history, Japan also lost the Second World War, but it kept its imperial regime and some of its territory. Of course, such a thing is utter bullshit. If Germany was beaten so badly that it was partitioned, then there was no way Japan would have gotten a negotiated peace. I’d originally assumed Article whatever of Japan’s pacifist constitution had been repealed in light of the alien invasion, not that pigs had been flying.

The type of Japanese military geek who would write a story set in East Germany is also the type of mildly right-wing jerk-off who views the Japanese Empire with nationalistic nostalgia. I mean, it’s at least entertaining, so it’s automatically better than GATE: Thus the JSDF Fought There.

Setting that aside, since this is an anime about East Germany fighting aliens in the 80’s. I of course had to make a fanvideo scored to Der Kommissar. What else was I going to do? I had to stick the video behind a password-protected Vimeo thing because of the zealousness of copyright protectors. It’s released under the auspices of that anime podcast I’m in.

Anyway, this music video is dedicated to those unsung heroes of the alien war – the Stasi. Password is “bundeswehr”.

Show those greedy capitalists what we think of their copyright regime, kameraden!

True romance

I recently watched the first episode of the anime Actually, I Am, which revolves around a love confession. It wasn’t my thing, but while watching I had to ask: do Japanese kids actually do this kind of thing?

Haru confessing his feelings to Shizuku: I think I like you. In a sexual way!
It’s from My Little Monster.

See, the classic love confession from anime and manga goes like this: a school-aged character approaches in private their secret crush (normally a classmate and one who they may not have even spoken with before) and tells them, “I like you, please go out with me”.

I’d never really thought about it, as this cliche is very common in anime and manga, but I realize now that this is a pretty damn awkward situation to be in. When approached by a near-total stranger – who you may only have spoken a few words in passing to before – and asked for a date out of the blue, the normal reaction is to tell them no. With this in mind, isn’t the classic love confession approach basically a recipe for rejection?

Considering it further, the love confession strategy seems like something a socially awkward person would do. They know they want to go out with someone but they don’t really know how to approach them so they go all in. They skip the getting-to-know-you part and go straight for the asking out part.

Really, a more reasonable approach, and one more conducive to success, would probably be for the besotted party to befriend and hang out with the object of their romantic interest first without immediately going for the metaphorical jugular.

It’s such an obvious stratagem that I have to wonder whether Japanese kids actually do the love confession thing at all. Is this basically just a cliche that mostly exists in the minds of anime and manga writers? One wonders.

Shakespeare in the original Klingon

This is a weird thing I just came across, but I discovered a trailer for Legend of Korra in the original Japanese.

I jest, of course. But something seems off about the voices.  I assume the top voice talent wasn’t used to dub a foreign cartoon show.

Some research into Korra and Avatar‘s reception in Japan reveals that it was seen as too American, which I can understand because the show basically has American kids dressing up in East Asian costumes.

To continue with the weirdness, here’s a trailer for Book 2 of Avatar:

I don’t think they got Azula’s voice down. But I think Katara’s voice wasn’t bad in the opening. And here’s a peek of how the typical episode plays out.

Strange, right? It’s like looking through a portal into a parallel universe.

Japan circa 2013

Currently catching up with a whole lot of blogs, so I just read this retrospective on 2013 in Japan.

It may surprise some to hear that anime is a fringe interest in the country, but the blog mentions that Attack on Titan was – surprisingly enough – a mainstream hit. In fact, it’s mentioned that the sappiness and sexism of modern anime, which turns off many in the international audience, also does its bit in alienating the domestic audience

There are further hints that the impenetrable wall of the otaku cultural industry is cracking. Other subcultures seem to be disappearing and it may be that the Japanese Internet is soon to be taken over by normal people, instead of dominated by that misogynistic right wing cesspool known as 2ch (a message board which is essentially the 4chan of Japan – in fact, 4chan was modelled directly off 2chan).

Of course, who knows what the future will bring? Still, you heard it here first, gentle readers. Unless you also read Néojaponisme, then you heard it here second. But yeah, otaku – an endangered species? Stay tuned.

On violence, on anime, and on violent anime

Most giant robot anime, and most anime in general, seem to be anti-war or anti-violence (barring the relentlessly capitalist shows like Mazinger-Z and Voltron which say nothing beyond “explosions are cool” and “buy our toys”). The shows that luxuriate in violence, like Black Lagoon, make clear that the characters are psychologically damaged in some way. The shounen fight series are either about making friends (like One Piece), are comedic (like Ranma 1/2), or have a stick up their ass and continually remind the viewer that the hero is only fighting reluctantly (like Bleach). I suppose the atomic bombings and the enforced postwar pacifism are ever present in the Japanese consciousness.

Though two series that glory in war and violence are the right wing wankathons Total Eclipse and High School of the Dead. One of the characters from the latter show even remarks, as he’s using a baseball bat to bust open a cash register, “You know, this is pretty awesome”. And he’s right, it would be goddamn sweet to be running wild in a zombie apocalypse with a Humvee full of guns and big-tittied girls in high school uniforms. Or being encased in a mechanical womb and using swords, cannons, and other phallic objects to unleash death and figurative semen on hordes of invading aliens.

Of course, there’s no such thing as zombies or alien invaders, which is to say that there are no faceless Others one can morally slaughter; thus, in anime, the depiction of violence simultaneously demands an apology for its use. But it seems that it takes a right-wing dickwad to not give a shit about such distinctions.

The language of Narcissus

Two warriors cleaving a goblin in two in Dragon's Dogma

So I wasn’t kidding when I mentioned I’m into Dragon’s Dogma. I’m at that particular stage of video game obsession where when I’m not playing it, I’m thinking of playing it.

A related obsession has sprung up for me, though, and that’s the obsession of posting screenshots. You can take and upload screenshots directly from the game. This is not such a big thing for computer players, but trust me when I say this feature is fairly novel for this generation of video game consoles.

See for yourself how much I’m uploading to the official video game website (the answer is several pics everyday). It’s fun to document your fictional adventures and put them up for strangers to view. It’s fun even when no one sees your pics, but it’s even better when random people on the Internet actually compliment you on them.

I did notice, however, that the majority of the screenshots posted are from Japanese players. Not only that, but the uploaders often write a short blurb to which other players respond. I can’t read Japanese but it’s obvious that there’s a community of Japanese players carrying on conversations and connecting with each other through their enjoyment of the game.

However, there is no similar community of English speaking players on the game website. There are anglophone players, but compared to the number and visibility of the Japanese players they’re a drop in the bucket.

It’s not as if the narcissism of the screenshot is unknown outside of Japan. Do I even need to mention that the word “selfie” exists?

I would theorize that the dominance of Japanese players is due to a couple of reasons. The first is that the Japanese Internet is more centralized than that of other linguistic communities. A gigantic amount of Internet traffic in Japan goes through one website, 2ch. It’s my understanding that it’s basically an old school BBS with a few modifications and apparently still has that terrible web design from the 1990s that oldsters might remember. Even if they’re not on it, a Japanese Internet user will at least have heard of the site.

No equivalent website exists for the English Internet. Players would be on several different message boards, blogs, and gaming sites, so one single service would not dominate.

Of course, the Dragon’s Dogma site is integrated directly into the game, so players should at least be discovering it that way. Thus, the second reason I would say that so few English speakers can be found on the game site is due to is popularity – namely, its popularity with Japanese players. An English-speaking player might share a few screenshots and go to the game site hoping for some discussion, then discover that most of the existing conversation is in another language. They might make a few attempts at connecting with other English-speaking players, and a few die hards might stick around, but the majority will retreat to their own gaming forums or even just give up on connecting at all.

There might be all this rhetoric about the Internet allowing one to connect with a yak herder in Nepal, but in truth the Internet is a very segregated place. Users talk mostly to people in their own country. This does make sense, after all – how many Korean TV shows are shown in the USA, for example? Who else would Korean fans talk about their favourite TV show with but with other Koreans? Of course, there are languages with international reach and emigrant diasporas, so there’s still a bit of internationalism online. But not as much as all the ads back in the 90’s would make you think.